![]() An outbreak of measles in New York City began when one unvaccinated child returned home from Israel with measles onset of rash occurred on September 30, 2018, 9 days after the child returned home. We investigated suspected cases of measles by conducting interviews, reviewing medical and immunization records, identifying exposed persons, and performing diagnostic testing. Measles–mumps–rubella (MMR) vaccine (given as either MMR or measles–mumps–rubella–varicella vaccine and collectively referred to as MMR vaccine) uptake was monitored with the use of the Citywide Immunization Registry. The total direct cost to the New York City Department of Health and Mental Hygiene was calculated. ResultsĪ total of 649 cases of measles were confirmed, with onsets of rash occurring between September 30, 2018, and July 15, 2019. Either ending would have been powerful and emotionally impactful, but it would have taken away too much from its themes of young love and Sam’s coming-of-age.A majority of the patients (93.4%) were part of the Orthodox Jewish community, and 473 of the patients (72.9%) resided in the Williamsburg area of Brooklyn, New York. I’m glad Gone Home didn’t add to that particular trend, which is common in LGBTQ fiction. The payoff is huge, and a big twist considering that the signs were pointing to tragedy. Instead of ending with a heartbreaking loss, we learn in a final diary from Sam that Lonnie couldn’t go through with joining the military, and she and Sam ran away together. I gradually rounded corners, not sure I wanted to see what was coming next, but Gone Home surprised me. I crept up the attic stairs as slowly as possible, frightened of what I was going to find once I got there. It’s an incredibly emotional scene, and I was afraid that Gone Home was going to parallel this moment. When another character checks on her, we learn that she has taken her own life. The movie ends with a LGBTQ character stating she wants to go to sleep. This line instantly conjured up a memory of The Children’s Hour – a movie released in 1961 based on a 1934 stage play starring Audrey Hepburn, Shirley MacLaine, and James Garner. ![]() Near the end, after Lonnie leaves, Sam, sounding depressed and weary, says in one of her diary logs that she’s going to go up into the attic to rest. The two cry and fall asleep together, but when Sam wakes up, Lonnie is gone, having departed for basic training. ![]() And in the next entry, Lonnie tells Sam life will eventually move on, but Sam says she doesn’t want her life to keep moving without her. In their last 48 hours together, she says that she can’t live without Lonnie. Additionally, there are two moments where Sam writes in her diary to Katie that hints that things will not turn out well. A storm is traditional foreshadowing found in literature to signal a bad forthcoming event. Gone Home hints toward a tragic ending at several points throughout the game. These clues paint a picture of Sam as a high school student in the ‘90s coming to terms with her sexuality and dealing with the social stigmas of the time. This makes players privy to private moments from Sam’s life, especially her relationship with a woman named Lonnie. Gone Home puts players in control of Sarah, but her sister Sam takes on the lead role by being the focus of the many notes Sarah finds throughout the mansion. Warning: this article contains major spoilers for Gone Home. The environment got the best of me a number of different times while playing Gone Home, but the most anxious I felt was right at the end when approaching the attic. These elements make sense, since you’re exploring a large, ominous mansion (which you know nothing about) while a storm rages outside. ![]() Gone Home is not a horror game, but it does a good job of building an atmosphere of tension and unfamiliarity.
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